Did I Buy the Fujifilm X-T5? Should You?.How To Add Film Simulation Recipes To Your Fujifilm Camera.How I Inadvertently Made The Fujifilm X100V So Expensive.SOOC was Yesterday… if you missed it, you can watch it today… + YOUR Kodak Portra 400 Pictures!.Which Film Simulation Recipes, When? - Part 1 (X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II + X-Trans V).New 27mm f/2.8 Pancake Alternative by TTArtisan.Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Chrome Slide.Creative Collective 033: FXW Zine - Issue 12 - November 2022.Just Announced: Fujinon 30mm f/2.8 Macro.Which Film Simulation Recipes, When? - Part 2 (X-T3 & X-T30).Did I Buy the Fujifilm X-T5? Should You?.How I Inadvertently Made The Fujifilm X100V So Expensive.I hope that you find this just as useful as I did. It’s so much easier moving between recipes! The user experience has been greatly improved. Since I set up my custom presets this way on my camera, it’s made a world of difference to me. But I hope that you find enough options you like to fill your available presets.įilm Simulation Recipes that use other White Balances Unfortunately, you might not be able to use all of your favorite recipes, depending on exactly what the white balance and white balance shifts are. Choose one from each until all of your available presets are filled. To make things easy for you, I’ve organized the color film simulation recipes by white balance. Also, there a few recipes that share the same white balance and white balance shift as others, such as Kodachrome II and Ektachrome 100SW, so you could use both of those and never have to change the shift. If you did that, since each recipe uses a different white balance, you wouldn’t have to adjust the white balance shift when going between different presets. It will always be set to that unless you decided to change it.įor example, you could have Kodachrome II, which uses auto white balance, set to C1, Kodacolor, which uses a kelvin white balance, set to C2, Kodachrome 64, which uses daylight white balance, set to C3, Lomography Color 100, which uses cloudy/shade white balance, set to C4, Color Negative, which uses fluorescent 1 white balance, set to C5, Fujichrome Sensia, which uses flurescent 2 white balance, set to C6, and Portra 400, which uses a custom white balance, set to C7. If each recipe uses a different white balance, then you can set the shift for that recipe and you’re good to go. For each color preset you simply use a film simulation recipe with a different white balance. Or maybe you set aside one or two for black-and-white, in which case white balance and white balance shift may or may not be important. So you have custom slots C1 through C7, right? Maybe you use all seven of them for color. Or you can have presets that use the same white balance and the same white balance shift. The issue is that only one white balance shift can be saved per white balance, but in that statement lies the answer! What you need are presets that use different white balances. There’s a simple work-around that might make things much easier for you. There’s an outside chance that X-Trans III cameras could also be given this feature, but most likely not. You can set it and forget it! There’s a decent chance that this ability will be added to the X-T3 and X-T30 via a firmware update at some point, but right now the X-Pro3 is the only camera that can do this. You can save unique white balance shifts with each preset in the Q menu. The Fujifilm X-Pro3 doesn’t have this problem from what I’ve heard. For many people, this means that whenever you change recipes you’re also having to adjust the white balance shift, which is a pain sometimes. If all of your C1-C7 presets in the Q menu use the same white balance, one white balance shift will be applied to all of them. In other words, whatever shift you set for auto white balance will be applied to all custom presets that use auto white balance. You can only save one white balance shift for each white balance type in the White Balance Menu. Unfortunately, you cannot save white balance shifts with custom presets. As you know, my film simulation recipes rely heavily on white balance shifts.
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